30 September 2008
Caribou’s Andorra wins Polaris 2008

Any awards show that honours a band named Holy Fuck, and then allows a broadcast to go out across the (Internet radio) airwaves where the words “Holy Fuck” are constantly repeated is going to be a-okay in my books. It’s a different experience listening to an awards show, but when the honourees are musicians, the visual experience would only ever be secondary. So it was that I sat down to listen to the live broadcast of last night’s Polaris Music Prize from the Phoenix Concert Theatre in lovely downtown Toronto. In my mind’s eye I imagined what the proceedings must have looked liked, and in truth, it didn’t look like much more than your average rock concert. What it sounded like though was a true celebration of some of this country’s best music from the last year, and by all accounts those who were there loved the ear-shredding performance of Black Mountain, Shad’s urban poetry, and the psychedelic dance rock of the aforementioned Holy Fuck.

But the real reason they were there was to see who of the 10 shortlisted nominees would be crowned this year’s winner. If you’re a loyal QBiM reader (and there are such people out there), then you’d know how I handicapped this year’s royal rumble of records. In the end, we’ll never know exactly what went down in that jury room, but we do know what happened when they came out of it: Caribou’s Andorra took the tops honours, just as yours truly called it back on Saturday. Dan Snaith was very humbled by the award and honoured his fellow nominees and those who were also on the long list. He mentioned the fact that an award like the Polaris brings music that doesn’t always get heard by some people to a larger audience, and that it really is becoming a great celebration of Canadian music. I think that many people felt that any one of this year’s nominees could deservedly win the prize, and choosing just one would be a difficult task. In the end, it doesn’t really matter who walks away with the check, because the real winners are the Canadian music fans who get blessed with a bumper crop of great music, and a whole lot of patriotic pride. Good on us, eh?

MP3: Caribou “Melody Day”
Official: Caribou
Myspace
: Caribou



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29 September 2008
Hey Zeus

Last Tuesday afternoon, I was running some errands after work, listening to CBC’s Radio 2 Drive. Since the station re-launch earlier this month, I’ve been paying close attention to the afternoon drive show hosted by Rich “Buck 65Terfry. I was slow to warm to Trefry’s somewhat sloven radio announcing ways, after having spent so much of my radio listening experience being bombarded by fast-talking, joke-cracking DJs who are more intent on making a name for themselves then playing good music. Trefry is definitely different when it comes to presentation style. Without the rush of radio advertising, he takes his time to personalize his selections, putting choices in context. Since I don’t usually have a long commute to and from work, I only end up hearing a couple tracks on a typical day, but on the day in question I got an earful and in turn heard some great new music.

I was most impressed by Zeus, a Toronto-based outfit made up of Mike O’Brien and Carlin Nicholson, both members of Jason Collett’s touring band. Both guys are/were members of Paso Mino, who began touring as Collett’s backing band during promotions for Idols Of Exile. While on a break from Paso Mino/Collett duties, O’Brien and Nicholson began working on some recordings that they never planned on releasing, but eventually they began to realize that there was something special going on. The two songwriters and lead vocalists blend together influences of folk and rock respectively, allowing experimentation and happy accidents to take some of the material into unexpected directions.

Zeus don’t have any releases available yet, but they’re currently working on a debut album which hopefully will see the light of day soon. For now, you can check out some of their work streaming over at their Myspace page. For those interested in the Zeus experience up close and personal, check the guys out when they do double duty as one of the opening acts on this year’s Wood, Wires & Whiskey tour (sponsored by Exclaim! magazine), then playing with headliner Collett. Check to see if they’re coming to a town near you here.

Myspace: Zeus





27 September 2008
In the jury room after the war: Polaris posits, pre-presentation
Since they were announced earlier this summer, I’ve been able to review/re-visit six of the 10 albums nominated for this year’s Polaris Music Prize; if you take into account all the postings I’ve made over the last year, I’ve have mentioned 9 of the 10 artists. Not too shabby, if you ask me.

Kathleen Edwards has been the one nominee whose music has escaped me to date, so in order to satisfy my self-imposed goal of getting to all the nominees before Monday night’s gala award presentation, I wandered on over to Edwards’ “Down-tempo/Screamo/Tango” Myspace music page to sample some of the wares on her nominated album, Asking For Flowers. As you listen to the title track, it becomes evident where the Polaris judges were coming from choosing this one. Edwards sits somewhere between Sarah McLaughlin’s ethereal vocal emoting and Neil Young’s classic storytelling lyricism, embracing elements of blues, country, rock, folk and the best bits pop classicism to lay claim to a throne distinctly labeled “Canadiana“. She has established herself as a songwriter of stature, whose voice peppers her lyrics with passion and personality.

Myspace: Kathleen Edwards


This year’s Polaris judges will be holed up in a secret room somewhere in Toronto on Monday night deciding who the winner is going to be, like a jury sequestered to determine the fate of the accused. There’s no way to even give any odds on what the outcome will be, but leave it to QBiM to give a go at predicting what the battle is going to look like behind closed doors:

First round cuts would be The Weakerthans, Black Mountain, and Stars: great albums in their respective genres, but not huge artistic statements (and remember that’s coming from someone who’s a HUGE Stars fan). I think each band has done better work in the past. They won’t even make it into the stadium, let alone the Polaris wrestling ring.

Second round would see the ladies duke it out, and I’m betting Basia Bulat would take Kathleen Edwards out when the two albums come to blows.

Third round is where it gets a bit ugly, because someone is bound to realize that Two Hours Traffic is still in the game. The boys from Charlottetown are going to have to face some stiff competition from those arty Montreal boys, Plants And Animals, but I think in the end it’ll be a draw, as both bands are in this with debut albums. Attention will turn instead to Caribou and Shad who’ll have a go at each other in a cage round that will see the Dundas Kid, Dan Snaith, take out “London Lover” Shad.

For those not keeping score, that leaves us with Basia Bulat, Caribou, Plants And Animals, Two Hours Traffic, and Holy Fuck, who’ve spent the last three rounds standing in the corner enjoying the proceedings with a smug look on their face and confident they’ll be in this thing until the final two, if not the ultimate winner. Little do they know that the fourth round is going to see their fortunes turn, and if they expect their instrumental noise sculptures to make it any further they’ll have to turn guns ablazing and justify their artistic merit.

It will be an all out royal rumble worthy of a Francis Ford Coppola film. By the time the rain begins to fall and the orchestra swells to it’s crescendo, Two Hours Traffic, the “Ponyboy Curtis” of this year’s Polaris Prize, will still be standing (barely) but poor Basia “Johnny Cage” Bulat will have succumbed to her injuries. Holy “Dally Winston” Fuck will get their comeuppance when Plants And Animals draws their weapon and takes aim, leaving the Montreal band face-to-face with the only other combatant left standing: Caribou.

So in the end it’ll be a three way battle between Caribou, Two Hours Traffic, and Plants And Animals. As valiant an effort as they’ve made throughout the battle, Two Hours Traffic won’t have much fight left in them, so they’ll lick their wounds, head back to the island, and vow to fight again another year. Plants And Animals can almost taste victory by this point, feeling a kick of adrenalin as they realize they can win this two years in a row for their little-label-that-could, Secret City Records. But one should never underestimate the massive power of the Caribou.

It’ll be bloody. There will probably be a lot of fur flying, and the air will be filled with howls and cries. When the dust settles, the plants will have been trampled and the animals will have been scared into early hibernation; Dan “Caribou” Snaith’s Andorra will stand alone, victorious.

Or something like that.

MP3: Caribou “Melody Day”
Official: Caribou
Myspace: Caribou





26 September 2008
Golden age

I like to tell you about new music, that’s why I write this blog. But even more than just telling you about it, I like when you can hear it at the same time. That’s why I don’t usually write a post that doesn’t include some kind of download or listening experience for you. I still firmly believe that you should be able to hear what it is I’m writing about, but I’m starting to regret the albums I don’t get to talk about because there isn’t an mp3 download available. After all, a link to Myspace or a YouTube video can provide that aural sensory input the same as an mp3 can. So, dear QBiM reader, we’re turning over a new leaf at HQ today: download or no download, we’re bringing you the best stuff whenever and wherever we hear it.


And the best stuff right now is the utterly amazing Dear Science by NYC’s TV On The Radio. I didn’t especially like their last album, Return To Cookie Mountain (2006) but I never seemed to be in the right frame of mind when listening to it. TVOTR isn’t the kind of band that can just be background noise; they require your full toothpick-keeping-your-eyelids-open-hands-cupped-around-your-ears attention. TVOTR never intended to be an easy pill to swallow. Having formed in post-9/11 Brooklyn, they opted to go the experimental route, mixing jazz horns, electronic beats, fuzzed out noise and more shouting than actual singing. In other words, they were quite the sonic head trip.

Things haven’t changed all that much, but three albums in, the band have grown by leaps and bounds. Their head trip sound is firmly rooted in some serious tunes. It’s almost as if all the hazy noise has been narrowed down and focused into some sharp songs that still manage to incorporate all the variety and sonic textures they played with before. The excellent ballad “Family Tree” is followed by all-out funk jam “Red Dress”, while “Shout Me Out” has an instantly memorable vocal melody that wouldn’t be out of place on your typical pop record, but here it’s dressed up in some awesome punk-dance drumming, fuzzy rock guitar and sonic feedback that make this anything but your typical pop record.

Dear Science is the perfect alchemy of modern music: accessible without sacrificing artistry; genre-bending without being generic; conscious of its uniqueness without condescension. We’ve quite possibly been introduced to the album of the year.

Video: TV On The Radio “Golden Age”
Myspace: TV On The Radio



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25 September 2008
Fortunately/unfortunately/fortunately


This week, Jenny Lewis released her second solo album, Acid Tongue, and I was fortunate enough to receive an advanced copy of the album for my “listening” pleasure. Unfortunately, the CD featured various copyright-protection security (it even has my name stamped on it) that only allows it to be played on a standard compact disc player, as opposed to the drives embedded in our computers. Why is this unfortunate? I don’t have a standard CD player anymore. It didn’t really dawn on me that there was a gap in my stereo equipment until I got this CD and found that I have no way whatsoever of listening to it, except in my car. And seeing as how I don’t really have reason to take any long drives, I haven’t listened to the album all the way through in one sitting as I usually like to do with new records (I actually haven’t listened to it at all).

So instead of talking about Jenny Lewis’s record, let’s talk about Jenny Lewis’s favourite band’s record. The Whispertown 2000 is currently out on tour with Ms Lewis playing selections from their soon-to-be-released debut album, Swim. There’s a certain west coast, alt-country vibe going on with The Whispertown 2000, with an element of high drama thanks to the harmonies of dual female vocals of Morgan Nagler and Vanesa Corbala (who appears on Lewis’s new record).

The band is currently opening for their high-profile patron, after having honed their chops playing their own gigs and opening for Bright Eyes and She & Him.

MP3: The Wispertown 2000 “Done With Love”



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